Fakhri (2017) Tanggapan masyarakat terhadap perkembangan motif tenun Nggoli Bima / Fakhri. Diploma thesis, Universitas Negeri Malang.
Full text not available from this repository.Abstract
ABSTRACT Fakhri 2017. Community Response Against The Growth of Bima Nggoli Woven Motifs. Sarjana s Thesis. Fashion Education Program. Department of Industrial Technology Faculty of Engineering Universitas Negeri Malang. Advisors (I) Dr. Agus Hery Supadmi Irianti M. Pd (II) Dra. Sri Eko Puji Rahayu M. Si. Keywords Community Response Nggoli Woven Indonesia has thousands of weaving motifs with a variety of motives spread across the region in Indonesia especially Aceh Sulawesi and West Nusa Tenggara. Bima is one of the areas that have Nggoli woven motif with the characteristics of previous era include the motif of Satako Flower (flower sprigs) Aruna Flowers (pineapple flowers) Kakando Flower (Rebung) Nggusu Tolu (Triangle) Nggusu Upa (rectangle ) Pado Waji (parallelogram) and Nggusu Waru (octagonal). The purpose of this research to determine the response of the community to the growth of Nggoli Woven motifs in Renda Village Belo subdistirc Bima Regency West Nusa Tenggara. The research method used was descriptive quantitative with saturated sampling technique with 36 Nggoli Woven craftsmen. The result of the growth t of Bima Nggoli Woven motifs through 1) visual response based on (a) growth of Nggoli Woven motifs not deviate with custom and culture in Bima was 58.33% (b) color growth not deviate with cultural custom in Bima was 66.67% 2) memory responses based on (a) the growth of the meaning of Nggoli woven motifs Was very meaningful for the community of Bima was 55.56% (b) the growth of the very meaningful ornament for Bimanese was 77.78% 3) development of Nggoli woven motifs based on the state of so Strongly Agree sociaty was 75%. Based on the exposure of these data the community response was Very Good to the growth of Nggoli woven motifs in Bima West Nusa Tenggara. Suggestions that could be submitted by researchers (1) Woven Craftsmen in Bima If we want to preserve and growth cultural heritage about Bima s Woven woven craftsmen should learn and understand the history of Bima s Woven to maintain and preserve the motifs and colors of Nggoli Weaving in accordance with applicable customary provisions In Bima. (2) It is necessary for Nggoli Woven craftsmen to know about the meaning of Nggoli woven motif so there are no new opinions about the meaning of Nggoli Bima Woven motif and producing Nggoli Woven which has an attraction that lies in the religious meaning and reliance contained in it which Combined with ornaments in the placement of which is recognized very meaningful for Nggoli Bima Woven craftsmen. (3) To conserve the traditional Woven of Bima Nggoli Woven craftsmen need to know each motif of Nggoli Woven so the Nggoli woven motifs still describe Dou Mbojo (Bimanese) personality and environmental conditions in Bima.
| Item Type: | Thesis (Diploma) |
|---|---|
| Subjects: | ?? ?? |
| Divisions: | Fakultas Teknik (FT) > Departemen Teknologi Industri (TI) > S1 Pendidikan Tata Busana |
| Depositing User: | library UM |
| Date Deposited: | 30 Nov 2017 04:29 |
| Last Modified: | 09 Sep 2017 03:00 |
| URI: | http://repository.um.ac.id/id/eprint/49201 |
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