Bagaskara, Dimas Raditya (2022) The celebration: analyzing realism in dogme 95 manifesto film / Dimas Raditya Bagaskara. Diploma thesis, Universitas Negeri Malang.
Full text not available from this repository.Abstract
Believing that the film industry is getting worse by utilizing simple plots and only emphasizing on the editing and the cosmetics European filmmakers and theorists make their own style of realistic film movements as a reaction to Hollywood rsquo s mainstream filmmaking style. One of which is the famed Dogme 95 Manifesto film movement in Denmark propagated by Lars von Trier. Dogme 95 Manifesto is a set of rules that needs to be followed by filmmakers in order to make a Dogme film. It is believed that by following this rule will restrain the filmmakers rsquo creativity focusing more on the realism inside the film and ldquo purifying rdquo the film industry. In this paper we analyze realism in Dogme 95 through one of its successful milestones The Celebration by Thomas Vinterburg through its cinematography and Dogme 95 rules within the film. We argue that as opposed to bringing realistic images on the screen The Celebration brings atmospheric realism by providing a consistent feel of lsquo relatability rsquo and presence inside the story to the spectators.
| Item Type: | Thesis (Diploma) |
|---|---|
| Subjects: | P Language and Literature > PR English literature |
| Divisions: | Fakultas Sastra (FS) > Departemen Sastra Inggris (ING) > S1 Bahasa dan Sastra Inggris |
| Depositing User: | Users 2 not found. |
| Date Deposited: | 06 Sep 2022 04:29 |
| Last Modified: | 16 Dec 2022 04:04 |
| URI: | http://repository.um.ac.id/id/eprint/263575 |
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